Forum Replies Created
-
AuthorPosts
-
Hayward Questions
Michael,
I struggled with your blog as I had a different take on the issues.
In the sentence “I am sad“, I thought sad was an adjective
It seems that as such “sad” can erroneously be “identity” describing how or what “I am”.
If, however, we add ness we get sadness. Ness added to any word (I thought) meant “the quality of“.So we get sadness as a quality of experience.
As a quality of experience, it is no longer a personal identity.
It is not that I am sad, but rather I experience the quality of sadness.
As such sadness is a state of mind, not an identity.
There seems to be some benefit in recognizing an experience as being state of mind specific, rather than identity.
When we become sad, (I am sad) we are trapped.
But sadness as state specific is a way of knowing, not an identity.
The identity is “knowing” and sadness is an experience or way of knowing.
From what you wrote, this is just the opposite of what Rinpoche was saying, and I am reluctant to disagree, but….This is a knotty issue and I am not certain I have explained my point clearly.
Let me know
Thanks,
HaywardMichael Scrambles
Hayward,
Thank you for engaging my recent blog post and I’m sorry that I forced you to struggle with it. My only excuse is that I don’t understand any of this material as well as I wish I did.I completely missed the fact that sad and happy are not nouns, but adjectives. It rather spoils the point I was trying to make–that adding the suffix ‘ness’ turns a momentary experience into an established emotional state that thereby has a way to stick around longer than it warrants. I agree with you that sadness and happiness are a quality of experience.
I have probably never grappled with the distinction you make between “identity” and “state of mind specific experience“. I actually used the phrase “state of mind” thinking of a video you once sent me (like everything else these days, a decade ago) in which I understood you to be pointing out how the state-specific ways we interpret experience tend to mask the openness of space and the dynamic freedom of time. Clearly, I wasn’t thinking in my piece that both “sad” and “sadness” –the one through being an identified experience, the other a state-specific quality of experience–tend to obscure the openness and freedom that TSK illuminates.I have to say that my motivation for beginning to write about what came up reading Rinpoche’s book was that I was trying to clarify something for myself. Then the piece, which I hoped could be a vehicle for understanding, became an object in itself that I polished and buffed like it was a shiny red convertible in the driveway.
Now you’re making me rethink things. If sadness is an’ identity’, which removes it from the more immediate “quality of feeling” expressed in “I am sad“, which of the two is actually closer to the heartbeat of being? I guess I think of ‘feeling” as more immediate than ‘experience‘. And that once we identify a state of mind (such as sadness) we have already taken a step away from what we were feeling. I guess I was claiming that to speak of ‘sadness‘, or even ‘experience‘, we have already taken that step away from feeling and placed it in a past that we are holding onto longer than it deserves.
As for my ability to represent “what Rinpoche was saying“, today I feel more distant from that ability. I began that blog with a sense that I was lacking that ability to understand some pages in “Keys of Knowledge” but willing to look more closely. And I didn’t even get to the parts that really befuddled me (about the “cut” of discernment being like the line between the numerator and denominator in a ratio).I’m copying David because I copied him on my original e-mail to you and because I expect he will be interested in the trenchant engagement you have made with my post.
Thanks,
MichaelHayward Punctures my Unintended Bubble
Dear Michael,
I loved the struggle with your piece.
And I so appreciate the opportunity to relate to you and David about these mattersHow about the following:
All experiences (thoughts, feelings and actions) are specific to our body mind state in operation at the moment of arising.
Every state has a self of that state.
It is not that the self has many states, but rather quite the opposite
The experience of self is just another state specific experience.To see what arises, (self, experience and situation) to be a function of “a way of knowing”, is to recognize the presence of Knowledge and the influence of time and space as to how it is known.
Well, that is all that occurs for now.
Thank you for the dialogue.
Hayward
As I get older, I hear my peers lamenting their loss of memory. I’ve so far resisted that lament, even though I am aware of comparable losses. I persist in my belief that whatever remains is always the heart of being human. Perhaps I am fooling myself and accepting a self-serving view of reality: it must be real because every time I check it’s there.
What I find more troubling than an inability to recall particular names of people and things is that my memories increasingly feel like a lackluster chorus line dancing the same routines in the same order.
When I wrote this piece, I was not thinking of TSK; although in retrospect I was influenced by Rinpoche’s vision of linear time. I was searching for an alternative to being confined in a series of thoughts and events where each one is repeating something that has already happened.
I think my story is an exploration of the possibility of remaining in touch with the heart of time, even when memory vanishes in a drastic way (as with Alzheimer’s Disease). And when I returned to an earlier period of my life, I was searching for a quality of openness to the potential of the future, even when I have already lived through it once before. I suppose I hope that even when the future seems to be limited by what has come before, a spirit of discovery and growth can still be bursting at the seams of each arising moment.
A word of explication:
This piece is fiction, in that it is imagined and not an experience that caught me up in a different all-enveloping ‘reality”. But, not for the first time, I felt that I was exploring a possibility that is at least as real as when I am repeating old patterns without being aware that I am running on automatic.
I can identify two influences that were in effect. One is a book I am reading on Near Death Experiences (NDE’s); I incorporated several features commonly present in the experiences as reported by people who have died and lived to tell the story (and since I died when I was two-years-old, I am interested in the recollected experiences of adults who have died, at a later point in their lives when they were able to make sense of what they had experienced).
The other more surprising influence—surprising because I had no awareness of it until after I had written this “flight of fancy”—was the exploration in Rinpoche’s “Challenging Journey, Creative Journey” of the words “Lung” and “Sems”. In particular, I am very intrigued by the idea that Lung is like the music and Sems the musical performance; and that together they are the fundamental energy in life.
I don’t think I was consciously exploring Lung & Sems in this piece. But the images that arose about sound without wind seems, in retrospect, to be a kind of thought experiment of what it might be like if there was no wind blowing through this world, but the communications, interactions, and changes so fundamental to life continued. Perhaps that would feel like death, when we can only hope that the music will keep playing on another channel.
Great choice of the photo: “Dawn”. I wonder how the ducks and the two swans experience that first light. What does it feel like to be floating together on the water. They seem so at ease. In no hurry to be elsewhere. They could teach a meditation class. Or actually they are: a mere wingbeat away from a flight into the future.
Hi David,
Thank you for the effort you have clearly put into exploring material in Sacred Dimensions that I have always found forbidding. Bringing to bear the parallel approach of Stern is very helpful. The concept of the “unformulated” lying behind the formulations we make and remember is somehow simpler, at least more familiar for me. I expect that this familiarity means that I am allowing myself to feel comfortable with formulations already familiar to me and that I am thereby missing a more radical exploration. But when confronted with zero and zeroless, the elaboration of 16’s, I need all the help I can get.
I feel that your exploration is helping me get a better sense of “zeroless”: if zero is the portal, the entry point into our world of appearance, itself prior to elaboration, interpretation, and the cataloging of the new in the ledgers of the already established; then (as I understand it) the zeroless is on the other side of this portal, the realm of the unformulated?
I noticed that you use the word “absence” to invoke this realm of the unformulated. Makes sense. But I have used that word extensively in the past few years to denote the absence of what was once present. That feels different: the experience of loss in this familiar realm, not the souceless source of present experience.
Michael
The question of whether this piece is based on personal experience is not one I can answer. It began as a spontaneously imagined flight of fancy–as a topic in a writing group that meets twice a month on Zoom, where we have 30 minutes or so to write on two topics. I was surprised that the group treated what I write as an exploration of my own ideas about life and death and that it resonated with them.
That inspired me to clean it up a bit and post it as a blog. While editing it, I noticed that I started deleting hesitant phrases such as “I think”, and “perhaps” and “It might be the case that . . .”; and I became more declarative and definite. By the end, I felt that I was sharing a vision of what I would like to encounter after I die. That, in turn, reminded me that I am still alive and that if a vision of what may follow this life is to have any value, I should let it influence how I am living now. Hence the last few sentences.
So many dimensions of how a restless mind prevents us from feeling at home on the edge: preventing us from going back to sleep when our rest has been interrupted; from noticing what is all around us because we paper it over with well-worn concepts; from the potential of life on the planet being corralled and curtailed in the momentums of history. Imagine how rock climbers sleep half-way up a sheer cliff as the winds howl. Like babies about to be born and continue to climb in a new day.
February 17, 2022 at 2:39 pm in reply to: INITIAL SENSE IMPRESSIONS GIVE RISE TO SHAPE AND FORM #937This morning, working with TSK exercise 9 (mind, body, thought, emotion interaction while attending to the observer/participant), I was wondering what it would feel like to really enter into the space between each of these recognizable facits of my experience. Then I wondered what it will be like to lose my body when I die. Will there still be something like a mind that thinks and feels emotions? Will there be an observer who can participate in whatever kind of experienc may survive the loss of my body?
I realize that I can’t affect what may replace my present embodiment, if anything does in fact arise, which might be comparible to my present experience. But I keep thinking that I would like to do whatever is possible now, to strengthen the possibility that I can leave here with some confidence that I have done what I am meant to do here.
- This reply was modified 3 years, 9 months ago by Michael Gray.
I too have found that each of the ways Rinpoche has shared, in his many series of books, for develoing our appreciation and embodiment of the potential of our lives, reflect each other. So going more deeply into one will enrich our appreciation for the others. I find that lived life is one of those reflecting facets; what we leave room for in our daily life invokes and illuminates any spiritual path we feel we are on; reflecting back to us the intersection of what we presently are with what we hope we can become.
- This reply was modified 3 years, 10 months ago by Michael Gray.
-
AuthorPosts